New
· Brand books -- Make Believe
(1) Make Believe
(2) Dark Art
(3) The Story Of Story
· Christmas card -- Applied Works
· Identity & stationery -- Aspect
· Enough storybook -- Make Believe
· Identity & stationery -- Something Else
Magazines
· The Designer -- C S D
Issue #14
Issue #15
Issue #16
Issue #17
Issue #18
Issue #19
Issue #20
Issue #21
Issue #22
Issue #23
Issue #24
Issue #25
Issue #26
Exhibition Design
· On The Threshold -- V&A + RIBA Architecture Partnership
Books
· Monographics Series -- Laurence King
(1) Kyle Cooper
(2) Chip Kidd
(3) H.N. Werkman
(4) Chris Ware
· American Modernism, Graphic Design 1920-1960 -- Laurence King
· The Carer's Cookbook (with Moving Brands) -- Draycott Nursing
· Aboriginal Art (with Phil Baines) -- Phaidon Press
Print
· The Plot -- Helen Ellery
· 10 Unity Street (with Zoë Bather) -- Carrot
· L'École (With Zoë Bather) -- Carrot
· Annual Review 2004 -- C S D
· Annual Review 2005 -- C S D
· On The Threshold invite -- V&A + RIBA Architecture Partnership
· S&AC (with Moving Brands)
· Buyerlogical Identity -- Sasha Bruce
· Fashion Awards -- C S D
· Student Awards -- C S D
· Periodic Table of the Elements (with Applied Works) -- AstraZeneca
· See You Next Tuesday -- Helen Ellery
· How I Write: The Secret Lives of Authors -- Rizzoli/Dan Crowe
· Business Card -- Eamonn McCabe
· Design Typography A5 mailer 2005
· Design Typography A5 mailer 2007
· Outside Inside -- Helen Ellery
· Granite 2006 Calendar -- Granite Colour
· Twelve Short Walks -- Paragon Press
· Turntable -- The Roundhouse
The Cat's Pyjamas
· Stuart Davis Catalogue by unknown designer, 1971
· Fernand Léger Catalogue by unknown designer, 1956
· Record Sleeve by Reid Miles, 1954
· Annual by Robert M Smith, 1962
Magazines
· The Designer -- C S D
Bi-monthly members magazine
210 x 297mm/32 pages
'The Designer' required a total visual overhaul to accompany its re-launch and new name. The Chartered Society of Designers selected Design Typography to do the job.
We tightened up the leading to maximise use of page space, selected an adapted 1840s poster typeface –– a slab serif Giza, for the masthead and a heavy, condensed headline sans (Railroad Gothic) for the headlines (inspired by Willy Fleckhaus's magazine work for 'Twen' in the 1960s/70s and Simon Esterson's 'Sight & Sound' in the 1990s). A contrasting serif (Electra by W.A. Dwiggins) delivered a body text that was legible even at small sizes. A radical revamp.
CSD have been delighted with the results (the covers of some of the earlier issues are below) and we continue to design and art direct every issue, twelve to date.
Issue #14